Thursday, October 17, 2019

A femnist Analysis of an Item of Popular culture Research Paper

A femnist Analysis of an Item of Popular culture - Research Paper Example Through the ages, continuous evolvement has resulted in popular culture being remembered by era which witnessed its boom. Popular culture (sometimes also referred to as pop culture) can not only be distinguished by timeline, but also through areas/regions. Feminism is defined as â€Å"the theory of political, economic, and social equality of the sexes† (Merriam Webster). As opposed to popular belief that Feminism calls for feminine dominance in the society, its actual motive is to establish equality between the genders by equal representation of women in all walks of life. Its history can be dated back to 1895 when this word was first coined and used; however, equal rights propaganda had been in effect long before then. Women have been discriminated against since time unknown due to baseless assumptions formulated by the male-dominating society representatives. Similar to other minorities like African-Americans, women’s rights had been greatly limited, often unjustly ta ilored short. Soon, this injustice came to light, followed by the â€Å"feminism† revolutionary protests and propagandas. However, to fulfill the purpose of this paper, I will be elaborating on a â€Å"Feminist Analysis of an Item of Popular Culture† hereafter. The item I have chosen is a movie released in the year 2000, with a subsequent edition in the year 2003. Rumors have it that another edition in the series will be released in 2011. The name of the movie is â€Å"Charlie’s Angels (2000)† and â€Å"Charlie’s Angels: Full Throttle (2003)† starring Cameron Diaz, Drew Barrymore, and Lucy Liu as central characters around which the story revolves. This film is based on a television series with the same name which had complete five seasons and 110 episodes from September 1976 to June 1981. Unsuccessful attempts were made to revive the television series since 1981, ultimately resulting in the formation of a successful box office hit movie in 2 000. Charlie’s Angels – both movies – depict the three central feminine characters as private investigation agents. The investigation agency for which the â€Å"Angels† work is run by a multimillionaire named â€Å"Charlie†, a man who is never focused on screen, and who conveys instructions to his agents through a speaker phone in his office, leaving them to work on their projects by themselves – somewhat unsupervised. The three heroines are distinctively bold and beautiful, extremely talented, tough and skilled, fussing about their exterior beauty while at the same time fighting crimes and criminals with manly valor and tactics. The first movie shows the â€Å"Angels† (as Charlie had named them) in pursuit of a software genius who had developed a unique voice recognition system through which the location of any person could be found. Unfortunately this genius is kidnapped, which the story later reveals was self-inflicted. In collabor ation with a communications satellite company and an aide, this genius aims to use his recently developed technology to locate and kill the multimillionaire and the Angels’ Boss – Charlie – as he believes Charlie to be the murderer of his father. The chase that follows shows Charlie being saved from the fatal attack by inches through the Angels’ extensive efforts and immense technological know-how. Even though Charlie’s physical existence was mere inches from exposure, he manages to make a quick run into oblivion, maintaining his unknown and unfocussed identity in front of the Angels and the audiences. The second movie has a similar thriller storyline. It shows the Angels in

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